May 31 2011
Nemo Aguila’s Mansters and Phonytales
CHAOS AND COLOR
This is the place where nightmares and princesses dance together.
In Nemo Aguila’s first one-man exhibition MANSTERS AND PHONY TALES, he decides to delve inside the play zone of his own unconscious, drawing out colorful creatures that have influenced both his past and present life as an artist, and more importantly, as a child; or if you look at them, perhaps, an amusing combination of both.
Within his recent collection of works, the artist transforms characters encountered during his childhood into gruesome things that grew an extra pair of eyes or sharpened teeth, images which are much closer
to the graffiti characters that he had been painting and marking on walls for years now. Nemo comically describes them as “Snow White meets Freddie Krueger” or “Batibot gone wrong” instances. This may be a simple symbolism for the bridging of two timelines in his life, of innocence and the slow destruction of it, and basically the realization that as we grow older, these fairy tales, as we knew them, are nothing but timeless, classic tales bastardized by Disney and the deception of worldwide consumerism.
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